Friday, June 30, 2006

The Unofficial Guide to Bed & Breakfasts in California by Mary Anne Moore and Maurice Read

In an attempt to follow some sort of calling I thought I might have had, I went back to school for a 14-month audio engineering program in 1999. While the intensive course load involved eight to ten hours of class a day, most of the learning took place inside the school’s recording studios, and homework was minimal. On weekends I found myself with not only a lot of free time, but a yearning to escape my hive-like apartment and my (entirely wonderful) roommates.

I don’t know what possessed me, but for a few months that winter, I was consumed with the idea of exploring the Pacific Coast north of San Francisco. On my first trip, I threw a duffle bag in the trunk of my Miata and headed for Bodega Bay with no overnight reservation. Luckily for me it was off-season: at the bed and breakfast I stumbled upon, I was the only guest. And they had a cat.

Before my next trip, however, I bought The Unofficial Guide to Bed & Breakfasts in California by Mary Anne Moore and Maurice Read. I found the guide extremely helpful. The listings are grouped by geographic zones, the descriptions are clear and full, and the reviewers give every B&B a “value” rating in addition to all the other traditional ratings. With my student’s budget, this was a great help.

I went as far north as Fort Bragg twice that season, visiting every town along Highway 1 on the way. It’s only been seven years since that crazy winter, but now I feel like a different person entirely. I look at my comfortable, mortgage-holding-married-with-no-Miata life and I wonder if it’s still in me to just throw a duffle bag in the trunk of my car (a Prius now), grab my husband, and head north with no overnight reservation. At least I still have the book.

The Unofficial Guide to Bed & Breakfasts in California by Mary Anne Moore and Maurice Read


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Thursday, June 29, 2006

The English Patient by Michael Ondaatje

The Master of Adams House during my years at Harvard was Professor Robert Kiely. He and his wife lived in Apthorp House, a charming colonial mini-mansion in the middle of the Adams House courtyard, next to the squash courts. Every second Friday, the Kiely’s, a most warm and welcoming couple, hosted an afternoon tea. We house members loved the teas not just for the free food, but for a fleeting chance to feel more grown up, more British, and more aristocratic. In our jeans, flannel shirts and duck boots, we undergraduates balanced teacups and saucers in one hand with cucumber sandwiches in another. We sat in parlor chairs and discussed Plato and Scorsese. We relished these afternoons because we knew that unless we pursued a career in academia, these teas would be but a memory of our finer days.

Professor Kiely taught literature. In the final semester of our senior year, my roommate and I had some electives to spare, so we slid into his course on post-1950’s English and American literature. This class changed my literary life. Discovering postwar literature was like tasting chocolate for the first time. I breathed it, delighted in its quirky eccentricities. Freed from the constraints of the past, it felt like reading itself had been liberated. That semester, my friends and I reveled in this new landscape. The word “postmodern” was batted airily around our dining hall conversations nightly.

The English Patient by Michael Ondaatje was the last novel we studied that semester. Its multithreaded weaving of characters, times, and places changed the way I read, and what I read. Each character was so beautifully rendered and the setting so provocative, but most of all, it was the multiple story threads that entranced me. Ten years later, I still can’t keep myself away from novels or movies with non-traditional narratives.

One of my favorite images from of all the books I have read in my short life comes at the close of this novel, a taking us from Hana to the Kirpal of the future:
"And so Hana moves and her face turns and in regret she lowers her hair. Her shoulder touches the edge of a cupboard and a glass dislodges. Kirpal’s left hand swoops down and catches the dropped fork an inch from the floor and gently passes it into the fingers of his daughter, a wrinkle at the edge of his eyes behind his spectacles."
The English Patient by Michael Ondaatje


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Wednesday, June 28, 2006

Stitch 'n' Bitch Crochet: The Happy Hooker by Debbie Stoller

Last month at BEA, I got in line for Debbie Stoller’s autograph. She was signing her new book called Stitch ‘n’ Bitch Crochet: The Happy Hooker.

I knew that Stoller was the famous face behind Stitch ‘n’ Bitch: The Knitter’s Handbook, but I hadn’t paid much attention before because I don’t know how to knit, and don’t have too much of an interest in learning. I do, however, crochet.

About a third of The Happy Hooker is actually devoted to teaching beginners how to crochet, so I skipped through that. The rest of the book offers some interesting patterns. While I’ll probably never crochet a “bikini-in-a-bag,” I may someday try a shawl or a beanie hat. Many of the designs are not exactly my style, but if I was really ambitious, I might try a sweater or two. One nice feature of this book is that there are some more unusual patterns, like crocheting wire into a beaded bracelet, or simple yarn for an iPod holder.

So I made it to the front of the line, and as Stoller was signing my book, I searched madly in the recesses of my brain for something eloquent (or at least not stupid) to say. I ended up mangling something like, “I’m so glad you wrote this book, because I don’t knit.”

Stoller gave me a shrinking look. The look said that I was the epitome of tactlessness, that I was undeserving of even the privilege or reading one of her books. “Knitting is… worth learning,” she said stiffly, and her hand jerked, causing her to spell a word wrong. She hastily scribbled it out, fixed it, and signed her name. I slunk off with my book.

I should just stop talking to authors. It’s too traumatic.

Stitch 'n' Bitch Crochet: The Happy Hooker by Debbie Stoller


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Tuesday, June 27, 2006

Endymion Spring by Matthew Skelton

It occurs to me today, having just finished reading my advance reader’s copy of Endymion Spring by Matthew Skelton, that my obsession with books about music may be rivaled by some people’s obsession with books about books.

I can only guess about this, having no obsession of my own with books about books. It first crossed my mind when I noticed the huge popularity of Cornelia Funke’s Inkheart among both children and adults. Then I noticed that the majority of books offered in the Bas Bleu catalog were actually about books. Then Book Lust was in the news for a while, and a whole slew of other similar book-related books that I have no interest in reading became popular.

So, while I was not particularly crazy about Endymion Spring (nor was I about Harry Potter, as you might recall), I have a feeling that when it is released in August, it will find itself at the top of the lists for a long while.

Based on the author’s own research into the history behind Gutenberg’s first press and the strange coincidences and ties between the characters involved with it, Endymion Spring tells the story of a boy who finds a strange and magical book while waiting for his mother in an Oxford library. The pages of the volume are oddly blank, but within moments, they seem to quiver as if alive, words begin to appear, and only he can see them. The tale of how this mysterious book came to be and the many who have sought it and its great power over the centuries propels the story, while the boy must figure out his own role in the mystery.

It all sounds pretty exciting, especially for bibliophiles. However, I found both the plot and the language a bit forced, and ultimately, I was unsatisfied with the resolution. While the main adventure wrapped up, I still have unanswered questions about the meaning of the special book, why those that seek it will simply give up now, and what the ending means for the future of the book.

Oh wait, it all makes sense now—I suppose we can expect a sequel next year. I don’t think I’ll be reading it.

Endymion Spring
by Matthew Skelton

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Monday, June 26, 2006

Bel Canto by Ann Patchett

I have a weakness for novels about musicians. I am not interested in biographies of real musicians, just fiction featuring imaginary ones. I find myself drawn to these novels about musicians with the expectation of finding larger insights about life, spirituality, and truth. Even the flattest characters in the dullest plots are trying to touch the untouchable, dabbling in the black art that is music. However, when the characters are perfectly rendered, their voices clear and their actions guided by music itself, halleluja!. There is nothing grander or more majestic than that devotion to something bigger than we humans could ever be.

Bel Canto is a beautifully written book by Ann Patchett about an opera singer who is taken hostage along with other members of a dinner party in an unnamed South American country. While opinions of the book run the usual gamut, I believe that my love for this book is off the charts. If I were an Amazon reviewer, I would give it six out of five stars. I loved every second of the Bel Canto because the main character was music.

Through the opera singer, Patchett lets music do what music does best: it transcends all the details of our backgrounds and beliefs and shines a mirror on our shared humanity. It makes a multinational group of terrified hostages remember that there is something more than just the here and now. Patchett is able to harness this power and unleash it in a most profound way.

For some people this force is God, for some it is art or literature, and maybe for some it is a force that I cannot even begin to imagine. But for me, for as long as I can remember, that transforming power has been music.

Bel Canto by Ann Patchett


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Saturday, June 24, 2006

A Toad for Tuesday by Russell E. Erickson

I don’t remember how I came to own A Toad for Tuesday by Russell E. Erickson, but I must have been six or seven years old when I first read it. It was my first novel. At 64 pages long, I remember it seeming like a gargantuan undertaking, but the novel opened up for me an entirely new experience. For the first time, I found myself immersed for hours, if not days, in a fully-realized world populated by wonderful, lively, mutable characters. We have our hero Warton the toad on his tiny homemade skis, setting off in the dead of winter for his Aunt Toolia’s on a Thursday. He is captured by George the owl, who plans to eat Warton on Tuesday. In the meantime, Warton is a prisoner in George’s nest, but over the course of the five days, his kindness and friendship transforms George. Set in the frozen snows of winter, deep in the forest away from our human lives, oh what a rich world this was! All packed into a sliver of a book.

Years later, when I was working at The Linden Tree children’s bookstore, I came across A Toad for Tuesday in receiving. I couldn’t believe it was still in print. I had long since lost track of my original copy, so I immediately bought this one. It was not loved and worn like my first, but the cover art was still the same (it is no longer) and, of course, all my friends were still inside. It felt like coming home.

A Toad for Tuesday
by Russell E. Erickson


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Friday, June 23, 2006

New Practical Chinese Reader by Liu Xun

DH is learning Chinese. He recently completed the Mandarin II course at UC Berkeley Extension, and during those twelve weeks, I felt like I was in elementary school again: Chinese Homework. Only his experience was much worse than mine because he was sitting at the kitchen table every single night working on his assignments. When I was little, Chinese school was on Saturday mornings, so it was only Friday nights that were tortuous. Now I was on the helping side of the homework, and it was constant.

The New Practical Chinese Reader was their textbook. Language textbooks are always a bit funny when you look through them. They consist of silly dialogues that would never occur in real life (“How was yesterday’s Beijing opera?” “It was very interesting. Today the weather is very good, why don’t we go swimming?”[p. 62]).

One of the first lessons taught a grammatical structure involving a subject and a predicate adjective, i.e. “I am well.” Naturally, the students needed some vocabulary to complete the sentence. They were taught, “I am busy.”

This was hilarious to me. Here they were, beginning Mandarin students who didn’t even know the words for big, small, up, down, or “to be” yet, and all they could do was helplessly express the truly American concept of responding to every inquiry, “I am very busy.” They were, in fact, very busy. Busy doing Chinese homework.

This reminds me of an article I read by Adam Gopnik in The New Yorker several years ago, where he recounts his amazement (and concern) at his daughter’s imaginary friend, Mr. Ravioli. Using her toy cell phone, she would call Mr. Ravioli frequently, but he was always too busy to play with her. Gopnik wondered exactly what she had picked up from watching the adults in her life.

Now that the class has ended and Mandarin III has not begun yet, DH worries that he will start to forget everything he’s learned. I suggested creating a blog entirely in Chinese. He’s no expert, but a sentence or two a day might be just right to keep the brain moving. Now we sit at the kitchen table every night working on Chinese again, but it’s a fairly painless two sentences. And, as it turns out, the minimalist blogs are zen-like in their simplicity. In fact, they’re almost poetry.

New Practical Chinese Reader by Liu Xun

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Thursday, June 22, 2006

What Charlie Heard by Mordicai Gerstein

My first encounter with the music of Charles Ives was in sixth grade. The Westchester All-County Orchestra was performing his "Variations on America." I had never heard anything like it before-- it sounded like noise! Different parts of the orchestra played in different keys simultaneously, while sometimes, I couldn't even tell what tune was the basis of the variation. There were so many accidentals that the page was a mass of black ink. I didn't necessarily appreciate the music that first time, but I could definitely tell there was something special about this Ives guy.

In What Charlie Heard, Mordicai Gerstein does an amazing job of describing Ive's life and music using pictures and words. I've never seen a better representation of what goes on inside someone's head aurally than in this children's book. The pages are filled with exhuberant noises that fairly pop out of the paper into the air. Then, when Charlie is notified that his father has died, Gerstein's use of silence is so beautiful I want to cry.

What Charlie Heard by Mordicai Gerstein


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Wednesday, June 21, 2006

Lost and Found by Carolyn Parkhurst

Last Wednesday, negotiations for Father’s Day began. I caught my mother by the back door of our office. “Hey,” I gestured to her surreptitiously. “What should we do for Father’s Day?”

“I had an idea,” she whispered back. “Why don’t we go fishing?”

As we readers know, “fishing” is a secret code word for sitting by a lovely body of water and reading. This was a perfect plan: Dad gets to spend a day with his family, Mom and I get to relax outdoors, and DH gets to fish. (Hey, if you have to spend a day with your in-laws, fishing is the best way to do it.) I was in the middle of Carolyn Parkhurst’s new book, Lost and Found, and was looking for a good opportunity to finish it up. Everyone wins.

We decided to meet at the Municipal Pier in Pacifica, arguably the best pier for fishing in the entire state of California. They say striped bass can be caught there year round, as well as Dungeness crab. So after a picnic lunch on the pier, DH went off to buy bait and came back with a fancy new toy: a Dungeness crab trap.

The allure of a free Dungeness crab dinner was too strong to resist and I put my book down to try my beginner’s luck. Of which I had frustratingly none. Next to us at the end of the pier were these two guys, each manning two fishing poles. One after another, they would each reel in a flailing crab and toss in onto their growing hoard. Couldn’t they spare just one? As we watched them collect crab from the ocean, while not a single crab was biting our bait, the wind picked up. I had to go to the bathroom. The new toy’s appeal was gone.

Two hours later, I turned the final page of Lost and Found, basking in the glow that comes from finishing a good book. I’ve already read a few reviews of Lost and Found, and I agree with them that it’s a fun, humorous read. I agree that the characters are the strength of Parkhurst’s storytelling, and I agree that this book is going to be a big hit this summer. What I liked best were the expertly drawn characters and the book’s fast pace, rushing toward its inevitable conclusion—after all, every reality show must have a winner.

My problem is with critics’ labeling of Parkhurst’s reality-show premise as satire, or even exposé. I don’t think it’s satirical, and I don’t think it’s particularly insightful about television reality shows. From a television watcher’s point of view, I think the way the show is portrayed seems entirely realistic. The Onion’s critic was delighted with the behind-the-scenes glimpses: “Lost And Found blows the lid off the inherent ridiculousness of game operas, from the edited-out downtime while participants wait for transportation to the product placements and cheesy challenge themes.” I find these manipulations unsurprising and even expected. Isn’t that just the way things are in game-show land? Is it just me? Was I just overly cynically about these television shows to begin with?

Don’t get me wrong. I liked Parkhurst’s use of the reality show as setting. It gave the plot a strong structure, and it gave her a perfect excuse to create some quirky characters. However, I think it also allowed her to take the easy route of storytelling without taking the book anywhere truly daring. In Lost and Found, a game show is just a game show- there is no postmodernism here, no satire, no irony. I was almost disappointed that everything ended up very neatly, exactly as the producers of a reality show (or movie?) would have wanted: the correct people have breakdowns, and the correct team (read: nicest) wins the day.

The bottom line? This is a great summer read. It was hard to put down and I loved traveling the world with this host of characters. It was good, honest fun—perhaps about as much fun as going fishing without catching any fish.

Lost and Found by Carolyn Parkhurst

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Tuesday, June 20, 2006

The Dogs of Babel by Carolyn Parkhurst

Right after the primary elections of 2004, DH decided to get involved with the volunteer effort for the Kerry campaign. For the most part, he was involved with local phone banking, but because California was considered a blue state already, volunteer focus was on the swing states. There were often opportunities to travel to Nevada or Arizona to help the campaign offices there. I often tagged along to help, and saw a whole new world I had only heard about on TV. That fall, I made phone calls, walked door to door, participated in rallies, and even had a brush with one of the presidential debates.

We decided to spend a week in Arizona in October as our yearly “big vacation.” Our plan was to start in Phoenix and volunteer for the Tempe office for a few days (as well as visit Frank Lloyd Wright’s Taliesin West), drive up to Sedona for a night, then end our trip in Flagstaff, where we could also see the Painted Desert and Petrified Forest. It was a pretty good compromise of campaign work and vacation, though to tell the truth, I might have preferred a bit more vacation.

This trip through Arizona will be forever linked in my mind with Carolyn Parkhurst’s The Dogs of Babel, simply because the book accompanied me to each stop and kept me occupied through the more uninteresting moments of campaigning.

It was pure coincidence that we arrived in Phoenix two days before the presidential debate at Arizona State University. We were assigned duties around campus, which was a crazy scene of makeshift television studios and students trying to make their banners visible in the crowd as the cameras panned around. It must have been a hundred degrees out there. After a few hours of attaching signs to wooden sticks, I retreated to the shade of a tree to read my book.

To begin with, I was captivated by the premise of The Dogs of Babel. The main character, dealing with the grief of his wife’s death, becomes sure that her death was no accident. Moreover, he believes that their dog Loreliei must have seen everything that happened, and if only he could teach Lorelei to communicate with him, he could find some closure. What I ultimately loved about the book was the realistic way this crazy idea was played out, despite some unrealistic circumstances and characters.

Sedona was as beautiful as they say, but we were nonetheless glad to be staying only one night. Our bed and breakfast was painted in loud primary hues that were not the most relaxing to me, and there are only so many touristy southwestern-themed gift shops one can look in before needing a tall glass of water. It was the Slide Rock State Park north of Sedona that I wish we had more time in.

In Flagstaff, we were housed with a local volunteer, and we spent a day canvassing an apartment complex with a get-out-the-vote message. That night, as we settled into bed, I experienced one of those snapshot moments that my life consists of. Our trip to Arizona? Mostly a blur, but this moment clearly: our host, passing by our makeshift air mattress bed on her way to the bathroom, seeing me with The Dogs of Babel and asking, “oh, what are you reading?” The sweetest words.

The Dogs of Babel
by Carolyn Parkhurst

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Monday, June 19, 2006

Square Foot Gardening by Mel Bartholomew

Today I plucked this season’s first bright red cherry tomato from my garden and popped it into my mouth. It burst forth with such amazing tomato flavor—the true, honest to goodness flavor of tomatoes, not the mealy barely-something flavor of the pinkish supermarket tomatoes that I’ve been getting up to now. There are ripening tomatoes covering my five tomato plants this year, and I cannot wait to experience my first season of tomato gluttony.

It all started two summers ago, when, in the middle of June, I decided that I wanted to grow vegetables in the backyard. Please understand, I knew absolutely nothing about gardening. Nothing. So, naturally, I bought a book. After reading hundreds of Amazonian comments, I decided on Square Foot Gardening.

The first thing I did was read the entire book from cover to cover. That took two days. Then, following Bartholomew’s instructions, I began to dig a big hole in the backyard. I live in the California Bay Area, on the inland side where the weather is not as temperate as the bay side. During summers, the temperature regularly reaches the high nineties by midday, though to be fair, the air is pretty dry. It took an entire weekend to dig a hole to Bartholomew’s specifications, with some help from my sympathetic husband.

The next weekend I went to the local nursery and bought my supplies: a trowel, two cubic feet of organic matter, a huge bag of vermiculite, seeds. By the end of the day I had my square foot garden planted and ready to produce some vegetables! Now came the hard part: keeping my plants alive. All my seeds sprouted, but keeping the sprouts from getting eaten or dying of thirst was maddening. There were holes in most of the leaves, and something was snipping the top of every basil sprout clean off. Something else was digging small holes by each plant. Other plants never grew higher than an inch or two off the ground.

After two months of hand watering daily, baiting slugs, hovering over the small plants during the day, and peering at them through the back door every evening, I finally harvested: three beets, one 2-inch-long carrot, two heads of broccoli, three snow peas, and one tomato. Everything else died or was eaten.

I tried again the next year, with approximately the same amount of success, but I learned some new things: I can’t keep sprouts alive, so I should just buy the little plants from the nursery and transplant them. Lettuce is great because you just snip off what you need for dinner each day and let the new leaves keep growing in. Covering the entire garden with some sort of mesh prevents the larger animals from eating the plants. I also decided that the most valuable garden vegetable is the tomato, because you can buy other vegetables if you need to, but you just can’t get a tomato that tastes like tomato at the supermarket.

This year, I put all my knowledge into action. I bought a bird net, skipped sowing seeds entirely and simply transplanted lettuce, tomatoes, bell peppers, and beets into my garden bed. We had an automatic sprinkler system installed with our landscaping, so I am no longer hand-watering.

Finally, I made one really exciting new purchase that will change the face of my gardening as I know it: the Tomato Success Kit. The kit came with a self-watering planter, special soil, organic fertilizer, and a cage that attaches to the planter lip. I have positioned it on the patio to receive a full day of sunlight, and the two plants in it have been growing like mad since mid-April. Although I was skeptical of its boastful name at first, I do believe this is truly going to be the year of my tomato success. The first bite was off to a good start.

Square Foot Gardening by Mel Bartholomew

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Saturday, June 17, 2006

e. e. cummings: Complete Poems 1904-1962











somewhere i have never travelled,gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which I cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose

or if your wish be to close me,i and
my life will shut very beautifully,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands

-e.e. cummings

I asked my best friend from high school to read this poem during our wedding ceremony.

The inside my husband’s wedding band is inscribed, “nobody, not even the rain,” while mine reads, “has such small hands.”

e.e. cummings: Complete Poems 1904-1962 by e.e. cummings


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Friday, June 16, 2006

Harry Potter and the Sorcerer's Stone by J.K. Rowling

I have a confession to make: I have read only one Harry Potter book: Harry Potter and the Sorcerer’s Stone. Really, I read one and didn't feel like reading more. But that's not the point of this story.

When Harry Potter first made his appearance in the world, I was working in a children’s bookstore called The Linden Tree, one of the premier children’s bookshops in the nation. Besides the employee discount, the best thing about The Linden Tree was that employees were encouraged to borrow the books from the store so that we could actually be familiar with the books we were selling (novel concept, no?).

One of the other employees borrowed Harry as soon as it arrived, and her 10-year-old son devoured it. She reported back to us with a thumbs up: not only did he like it, but he had read it in one day and hadn’t stopped talking about it since. I decided to give it a try.

I didn’t love the book, though I could see why a 10-year-old boy would. It didn’t strike me as anything particularly special. I intended to return it to the store when I was finished, so I removed the paper jacket and kept it in a safe place. That way, I felt more comfortable about handling the book and carrying it in my backpack.

One evening after work, I put Harry in my backpack and met some friends at Candlestick Park for a Giants game (ah, the days when it was still called Candlestick Park!). The backpack came into the ballpark with me and I set it on the cement floor by my feet. For the next hour, I ate hot dogs, drank beer, and cheered along with everyone else for reasons I did not necessarily follow. No matter—when you’ve got a bag of peanuts, you’re sitting under the stars, and surrounded by your friends, baseball is the best game on earth.

Suddenly, I realized that I was stepping in something sticky. And wet. I looked down, and saw a puddle of liquid under my seat, soaking into the bottom of my backpack. Someone had spilled a cup of soda on the floor. Oh no! Harry!

It did not surprise me to find Harry at the very bottom of the bag, shielding everything else from getting wet. I pulled it out and inspected the damage: not too bad, considering. Most of the wetness was on the spine, and I could see the gold lettering sort of melting off. All I thought was, well, I guess I’m buying this one. And it’s a hardcover, too. Damn.

Not long afterward, it was clear that Harry Potter was going to be the biggest thing in children’s books since the Gutenberg press. I still maintained that the book was nothing special, but I must admit, it does please me that sitting on my bookshelf is a hardcover first edition of Harry Potter and the Sorcerer’s Stone with a pristine dust jacket.

Harry Potter and the Sorcerer's Stone by J.K. Rowling


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Thursday, June 15, 2006

Sole Survivor by Ruthanne Lum McCunn

Bookcrossing 101: Bookcrossing Basics.

It’s time to introduce you to my other great time-waster (I mean hobby), bookcrossing.com. The term Bookcrossing, added to the Concise Oxford English Dictionary in August 2004, is defined as “the practice of leaving a book in a public place to be picked up and read by others, who then do likewise.”

People like to explain it as the “Where’s George” of books. You register a book at the site, put stickers and markings in the book with its unique ID number, and leave it in public. Hopefully, someone who loves books will come upon it and write a journal entry for that book online. Less likely is the possibility that they might continue the book’s journey by leaving it elsewhere.

“Releasing” a book is nerve-wracking. You feel like you’re doing something surreptitious and wrong, but really you’re just leaving a book somewhere. People do it all the time by accident, right? Getting a “catch,” however, is worth all the effort.

Sole Survivor was the first book I released that was “caught” and journaled by a kind book lover. It’s the true story of Poon Lim, a second steward and the only survivor of the British ship Benlomond, which was torpedoed on November 23, 1942 off the coast of South America. His 133 days of survival on a wooden raft is still the longest recorded survival story in modern history. I’ve worked with author Ruthanne Lum McCunn on other projects, and she is not only a gifted writer, but just a really nice lady to boot. You can read about the book’s short trip here.

Sole Survivor by Ruthanne Lum McCunn

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Wednesday, June 14, 2006

The Love Wife by Gish Jen

When The Love Wife was coming out in 2004, I heard Gish Jen speak at an author event to promote the upcoming release. I had read her book of short stories, Who’s Irish?, and had felt an unusual connection with it because, for the first time, I encountered Chinese-Americans portrayed in a way that was true for me, that I could relate to. I was very interested to hear that The Love Wife turned the tables a little bit by featuring a family with a Chinese American husband, a Caucasian wife, and two adopted girls from China. The conflict of the story seemed to revolve around a nanny who is Chinese. Strangers assumed that the nanny was the girls’ mother. How interesting!

I feel like a terrible person, but I only read about 120 pages in before I just gave up. Then, in a terribly uncharacteristic moment, I flipped to the back of the book and read the ending. Guilty on two counts. I haven’t been able to get it out of my mind ever since. I’ve been trying to figure out why I disliked the book so much, and more importantly, why I feel so guilty about it.

The Love Wife turned out not to be about the modern American experience of being a “hyphen,” and having hyphenated families. It was in fact a melodramatic soap opera featuring the usual cast of repressive mothers and missing fathers. Unfortunately, the only character that I found to have any depth at all was Mama Wong, who I hated intensely. I also tired immediately of the nanny LanLan, her “foreignness” to the family, and her run-of-the-mill Cultural Revolution sob story. (Judging by the Chinese-themed novels published in recent years, you’d think the entirety of Chinese history consisted of the Cultural Revolution.)

See that? I am a bad person. How could I be so shallow as to dismiss the suffering of an entire country’s people, let alone a people of my own ancestry? How could I not find Chinese history and culture fascinating? Every time I read a book that takes place in China, I get depressed. Everybody’s poor, persecuted, sick, or a combination of the three. It’s far from enjoyable. But I’m just too Chinese: I have this ingrained belief that if it’s not enjoyable, it must be good for you. Just like Mama Wong always says.

I believe that the two greatest pleasures of reading about a foreign culture are to experience a place and people removed from one’s own familiarity while simultaneously identifying with the universal qualities of human ideas and our constant struggle. If the setting is not exotic, and the struggle is the same every time, do I still have to like it?

The Love Wife
by Gish Jen

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Tuesday, June 13, 2006

Shenzhen by Guy Delisle

Book Expo America, the nation’s largest convention for books, bookselling, and publishing, took place last month in Washington D.C. I shipped home two boxes of galleys that will most likely make appearances here as they get read. One that my husband and I both read already is Shenzhen, by Guy Delisle.

Shenzhen is a brilliant graphic novel about Delisle’s experience working in the city of Shenzhen on an animation project. We grabbed it immediately when we saw it on the convention floor because we ourselves just got back from a trip to China in April. What we loved about the book was Delisle’s perfect representation of the culture shock Americans feel upon arrival in China. The artwork serves to both illustrate the details and make the vignettes resonate emotionally.

We didn’t visit Shenzhen, but the culture of his book is unmistakably the same as the places we visited: Taiwan, Hong Kong, and Beijing. From the never-ending construction to the way toothpicks prevail on every dining table, every page brought a nostalgic chuckle and a, “Yeah! Exactly!”

Whenever our friends ask us what China was like, we show them our photos and hand them this book.

Shenzhen by Guy Delisle

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Monday, June 12, 2006

The Calligrapher by Edward Docx

The idea that being a calligrapher was a possible career path was mind-bending. Imagine: to actually make a living writing texts in beautiful handwriting. To have people pay you to play with special paper and bottles of ink.

The Calligrapher is probably not destined to be a classic work of literature or anything, but I certainly enjoyed it while it lasted. It had a touching simplicity while the plot kept my attention throughout.

It was the vision of spreading a clean sheet of paper out, dipping pens in bottled ink and producing this traditional art that inspired me. So, after a few years of excuses, I finally signed up for a calligraphy class at Paper Source in San Francisco last spring.

After twelve hours of class and hour of practice every night for a month, I had mastered the italic hand and had produced my first masterpiece: a beautifully addressed envelope. Buoyed by my success, I decided to hand-address my wedding invitations. Turned out to be pretty impressive, but I’m still a beginner, using cartridge pens with my basic alphabet. I’m not giving up, though. I’m keeping my eyes open for a more advanced class. And someday someone might pay me to transcribe the Songs and Sonnets of John Donne.

The Calligrapher
by Edward Docx


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Saturday, June 10, 2006

I'm Just Here For More Food by Alton Brown

I have a total crush on Alton Brown. And how happy was I when they started airing Good Eats on the Food Network daily? So when I'm Just Here For More Food came out, I was beyond giddy. I thought, Alton Brown + Baking has got to be the best combination ever!

It isn't. I can't use this cookbook, it doesn't make straighforward sense. I just want the directions for each food from beginning to end. Maybe I should stick to his more reference-oriented book, Alton Brown's Gear For Your Kitchen.

I'm Just Here For More Food by Alton Brown


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Friday, June 09, 2006

Room for Dessert by David Lebowitz

I might be a bit of a foodie, but cooking isn’t really my thing. It’s not that I’m bad at it; I’m just not that interested in doing it. I’ve watched enough Food Network to know my way around the kitchen and grill, and I’m really good at following recipes, but cooking is just a means to the end: eating.

Baking, however, is a totally different story. I love baking and making desserts. I love looking at dessert menus, looking at baked goods in cases—I love hanging around bakeries. I have cabinets and drawers full of baking paraphernalia: different sized cake pans, tart pans, cheesecake pans, ramekins, cookie cutters… I could go on. Most of it was given to me as gifts, because all my friends know about my obsession.
Room for Dessert was given to me by one of my best friends many years ago. It was my first official dessert cookbook and so far, it has been the most consistently successful cookbook as well. I have made at least ten of the recipes from the book, and they have all been perfect and delicious.

The most useful recipe in the book is the tart dough. Perfect. Use it to make the Blueberry and White Chocolate Tart, which is a bit complicated but worth every second of work. I have never tasted anything as heavenly at any restaurant or bakery. The Black and White Cookies were not only fun to make, but they look great and are a treat for the mouth. Candied Ginger was unlike anything you could buy from a store-- so much more flavorful without too much bite. And speaking of ginger, the Fresh Ginger Cake is a must.

I own many, many dessert cookbooks, but Room for Dessert is where I turn to for no-risk, impressive, and delicious recipes every time. Now if you’ll excuse me, I think I hear the oven calling me.

Room for Dessert by David Lebowitz


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Thursday, June 08, 2006

It Must've Been Something I Ate by Jeffrey Steingarten

Damn you Jeffrey Steingarten!

It’s because of Jeffrey Steingarten’s book, It Must’ve Been Something I Ate, that I found myself sitting in an antique train car on Sunday, eating the most expensive steak I’ve ever seen.

(It’s also his fault that I have to make apple pie from scratch, because no store- or bakery-bought apple pie holds a candle to his recipe from The Man Who Ate Everything. And then on top of that, it’s his fault that I don’t get any leftovers when I serve it to guests.)

It Must’ve Been Something I Ate is Steingarten’s second compilation of food articles written for Vogue magazine. I find his relationship with food at turns exhilarating, hilarious, and downright scary. My favorite pieces are those in which he sets something on fire (“Perfection Pizza”), but many of the articles are on topics that are intensely interesting to me, like testing home espresso machines, experimenting with MSG, or finding the perfect French hot chocolate.

Of particular interest was the article on steak entitled, “High Steaks.” Up to his usual hijinks, Steingarten turns his refrigerator into a makeshift dry-aging chamber for beef while explaining the whys and wherefores of the best steaks, and why dry-aged beef really is more tender and flavorful than wet-aged beef. I had never tasted a dry-aged steak, but Steingarten described one porterhouse steak: “very crusty on the outside, just between rare and medium-rare on the inside, juicy, rich, and full of the powerful and satisfying flavor of real dry-aged beef… For the first time since the start of my five-prong steakhouse project, I knew for certain that I was not operating under the sway of paranoid delusions or psychotic fantasies.”

So it is Jeffrey Steingarten’s fault that on Sunday, my birthday, my husband suggested we try the high-end steakhouse a few miles from our house, Vic Stewart’s. We first checked their website, and sure enough, they offered one dry-aged steak on the menu. We also discovered that the restaurant was housed in an old train depot, and in addition to the main dining rooms, you could dine in a real antique Pullman car attached to the building. Birthday luck held, and there was one private compartment available. What fun!

We ordered one dry-aged bone-in rib-eye and a regular porterhouse for taste comparison. And by golly, that dry-aged steak really was more tender, more flavorful, and, well, more expensive, than any other steak I’ve ever had. Now what am I going to do? How can I ever go back to chewy, flavorless steaks? How will my wallet be able to stand it? Damn you, Jeffrey Steingarten!

It Must've Been Something I Ate
by Jeffrey Steingarten


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Wednesday, June 07, 2006

One of Those Days by Amy Krouse Rosenthal and Rebecca Doughty

Hey! Look what I just discovered in a publisher's catalog! I haven't read it yet, but see what I mean about congruency (see June 05)? It looks adorable; I'll have to get myself a copy...

One of Those Days by Amy Krouse Rosenthal, illustrated by Rebecca Doughty


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Tuesday, June 06, 2006

Beyond the Great Mountains by Ed Young

When this book was released last year, the publisher, Chronicle Books, invited me to a dinner in honor of author and illustrator Ed Young. Turns out the dinner was a small affair, with only a few guests other than Ed Young himself and some representatives from Chronicle Books. We had such a great time in this intimate setting. Ed is a tall, Chinese man who simply has the air of an artist. With self-assured and deliberate gestures, he gave us some insight into how many of his books come about, including this one. He said that when he has an idea, he simply must get it out of his head and into reality, whether or not there is a publisher willing to take his work on. In this way, he has accumulated many manuscripts and art pieces that have never been seen by the public.

Beyond the Great Mountains
was just such a book. Written and illustrated many years ago, Young could not find a publisher for it until recently. While it is a children's picture book, it is not really for children. From School Library Journal: "Described as a visual poem about China, the book is comprised of 14 lines, each of which is accompanied by its own double-page illustration, done in cut- and torn-paper collage. Young also provides the ancient characters for the images he presents. Readers are able to read the entire poem from the title page since the pages are of graduated lengths, from short to longer, with a line of poetry appearing on the bottom of each page, overlapping just enough to allow for the text to show. Designed to be read vertically, each page is flipped up to reveal the accompanying illustration. In this way, the entire book becomes a piece of art, a visual treat of sublime colors and textures that joins with text and characters to describe the vastness and beauty of China."

At the end of the evening, Ed Young signed our copies of Beyond the Great Mountains. I thought it would be fun to have him sign a book for my mother, who, like Ed Young, is from China. But since I didn't know how to write her Chinese name, I had to give her a call. Ed Young graciously spoke to my mother through my cell phone, in an Italian restaurant in the middle of Manhattan, to sign a book for her.

Beyond the Great Mountains by Ed Young

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Monday, June 05, 2006

Encyclopedia of an Ordinary Life by Amy Krouse Rosenthal

Flaubert's Dictionary reminded me of this book I read last year. I picked up an advance reader's edition at the Northern California Independent Bookseller's Association trade show in October of 2004, but I didn't actually read it until my (then) fiancee and I took a trip to Las Vegas in July.

We go to Las Vegas every July because it's the low season there. The weather is so hot that not a lot of tourists want to venture out into the desert then, so hotel rates are lower and you can actually get a seat at the gaming tables on a Saturday night. I can't stand hot weather, but I also hate crowds and I love low prices. So we stay inside the air conditioned buildings as much as possible, except to sit by the pool.

This trip was a little different because we had places to go and people to meet. Namely, we were meeting our wedding coordinator and catering director at the Bellagio to go over details for our September wedding. One of our groomsmen and his wife met us from Los Angeles to partake in the menu tasting.

[This is all I'm going to say about the tasting: private kitchen in the Bellagio, seven different hors d'oeuvres, three different 4-course dinners, three wedding cakes, and wine. I have never eaten so much beautiful and delicious food in one sitting. They even made extra food for our friends. We were rock stars.]

Back at the MGM Grand, we decided to aid our digestion by lying out at the pool. We almost always stay at the MGM because they have, hands down, the best pool area. Not only are there mulitple large swimming pools and spas separated by tropical plants, rock formations and bridges, the MGM has the longest and most beautiful river pool. The river pool snakes around islands and in caves and is propelled with underwater jets so that you can bob all the way around on an inner tube, or not. (College kids line the sides of the river with buckets of beer in plastic bottles watching the view pass by, but ignore them. They are harmless.)

Normally, I have no patience with sunbathing. On this trip, however, I took a ride around the loop of the river pool every time the heat threatened to set my skin on fire, and while on shore, I had the Encyclopedia of an Ordinary Life to amuse me. It's basically a study in narcissism, but what a fun one it is! Set up very similarly to Flaubert's Dictionary, all of Rosenthal's entries detail her life and her own neuroses. Some entries are hilarious, while others are so poignant that I feel like the book was written about me. Hey! She's crazy just like me! I was mad I hadn't thought of it first.

I love how some entries are about big things, and some of them are about very small things. That's how life is, and that's how anyone's own Encyclopedia would be laid out. Beginning with her own name ("AMY ROSENTHAL: My father-in-law informed me that my married name could produce these two anagrams: Hearty Salmon. Nasty Armhole. I cannot tell you how much I love that.") through "Deli Trays" to "Marshmallows" and "Meaning," ending with "You," most entries make you smile, either knowingly or eye-rollingly, but very few make the endeavor seem as self centered as it actually is. That is the charm of Rosenthal's writing. I found myself reading passages to my fiancee every few minutes, because Rosenthal was able to capture things I thought were really just me, and explain them perfectly.

For example. This passage is really just a description of me:

EGG-WHITE SCRAMBLER
I went out for brunch with my dad. I ordered the breakfast burrito. It turned out to be way too much: too many eggs, too much cheese. A few bites into it, a waitress waltzes over to the table next to ours with two orders of this happy light plate of scrambled egg whites and diced tomato and a touch of cheese. Their waitress had obviously let them in on this special order item. It was the dream version of my dish. The women were oohing as she placed it before them. Yeah, it's my favorite, the waitress cooed with them, only adding to my misery.
The ridiculous thing is, I couldn't get it out of my head for the rest of the afternoon. I'd be driving or washing my hands or looking up a word in the thesaurus, and my mind would keep going back to the egg-white scrambler. I imagined how it would taste, thought about when I'd go back to that restaurant, imagined how my day, my entire life, would have been so much better if only I'd had that egg-white scrambler.
-Encyclopedia of an Ordinary Life, by Amy Krouse Rosenthal

Sunday, June 04, 2006

The Dictionary of Received Ideas by Gustave Flaubert

I found this book while browsing the shelves of the Harvard Book Store, if I remember correctly, in the spring of 1996. Spotting it was one of those cosmic congruencies that happen extremely often to me (does this happen to you?) where, having no knowledge of a particular subject beforehand, I suddenly stumble upon at least three allusions to that same subject within a short span of time. This happens to me all the time. I love it.

Encounter #1:
The subject at hand was writer Julian Barnes. The congruency begins, however, with Gustave Flaubert himself. I had just read Madame Bovary for the first time (assigned reading for a course tantalizingly entitled, "Lives Ruined by Literature"). Shortly afterward, in a different literature course, we were handed a list of books to choose from for writing our final paper. I immediately chose a book from this list called Flaubert's Parrot by Julian Barnes, for no other reason than the title. It’s not that I was so enchanted with Madame Bovary, but the idea that Flaubert might have had a stuffed parrot was good enough for me. (By the way, Flaubert's Parrot is an excellent book, especially if you've read any of Flaubert's other works already. It's also not a bad way to get acquainted with Barnes.)

Encounter #2:
A few weeks later, I was sitting in a friend's dorm room when I spotted a book on his desk. The cover was remarkable for its time- very postmodern, if that means anything- and the title was funny: A History of the World in 10 1/2 Chapters. It was written by Julian Barnes! Within days it became my favorite book of all time (for the time being). I proceeded to systematically read all the novels that Julian Barnes had ever written.

Encounter #3:
So here I was, killing some time in the book store. Among the trade paperbacks on the fiction shelves, I noticed a very short, very thin stripe of yellow bookspine. There was no printing on it, requiring me to pull it out to satisfy my curiosity. The book was a tiny little paperback, no bigger than four inches by five and a half inches. The spine itself wasn't more than a quarter inch thick. A pamphlet, really, with a bright pink cover and that blank yellow spine. And this is what it was: The Dictionary of Received Ideas by Gustave Flaubert. Preface by Julian Barnes. Doesn't a shiver run up your spine when this kind of thing happens to you?

I don’t want to give the impression that the only reason I bought this little $3.95 book was that the preface was written by Julian Barnes. According to Wikipedia, The Dictionary of Received Ideas is “a satirical work by Gustave Flaubert, lampooning the cliches endemic to French... The book takes its form as a dictionary of catchphrases and platitudes, most of which are as paradoxical as they are insipid. In part, the book illustrates the transformation of modern man under machine capitalism by exploring the way that dialogue becomes prefabricated, and the ways in which meaning becomes divorced from context.” Ha!

It’s brilliant! According to Barnes, it is “one of the most ironical books ever written: it is the world placed in Flaubert’s press and squeezed until the pure oil of irony runs out.”

The book itself is a little packet of joy to me. Every time I open it and read a few entries, I’m charmed anew. Barnes says it best: “it might even be the sort of book that works while remaining on the shelf. You just need to think about it, its stance and technique, for a rueful smile to appear on your lips, and for the Dictionary to have done its job.”

NERVES Invoke them whenever faced by a baffling illness: ‘It’s your nerves!’ This explanation satisfies everyone.
NERVOUS AILMENT Always a sham.
NEWSPAPERS Impossible to do without them, but denounce them loudly all the same. Their importance in modern society… Leave them out on the table in your drawing room, making sure you cut the pages beforehand. Mark a few passages in red pencil, it makes an excellent impression. In the morning read an article in one of the sage and serious journals. Then in the evening, when you have guests, steer the conversation deftly towards the topic which you have been ready about. This is your opportunity to sparkle.
NICE Word for anything agreeable. ‘That’s really nice!’ expresses the very peak of admiration.
-The Dictionary of Received Ideas, Gustave Flaubert

Independent Bookstores- Under Attack

This article by Melissa Manlove of The Storyteller, an independent children's bookstore a few miles from our house, was published in the Contra Times on June 3, 2006.

INDEPENDENT BOOKSTORES-UNDER ATTACK
by Melissa Manlove

I am imagining a world in which I can only buy food at Safeway. No neighborhood 7 -11 for convenience; no Whole Foods or Andronicos for high-quality products from around the world; no farmer's markets for really fresh, really local goods. Like most people in this community , I would find that prospect grim.

And in a week that saw two of the pillars of the Bay Area independent bookstore community announce store closings-Cody's to close their flagship store; A Clean, Well- Lighted Place for Books to close entirely-it's starting to look like just such a prospect for those who shop for books.

The things that independent bookstores offer the consumer: convenience, breadth of choices, really new, and really local books and authors; and the things that independent bookstores offer the community: local reinvestment of the money spent at those stores, community outreach programs, and community events; are scarce or non-existent at wholesalers like Costco and chain bookstores like Barnes & Noble. That's why it's smart to shop at independents. The passion, service, and knowledgability that independent bookstores offer-well, that's why people love them.

I know how much our independent bookstores are beloved. I hear the testimonials from people who come into The Storyteller every week. But many people seem not to realize that an independent bookstore's profit margins, even in good times, are very, very slim. That means that losing the sale of just one book to B&N or Amazon hurts us.

The newest books are frequently on independent bookstore shelves sooner than on chain bookstores'. This is because very large bookstores have more space to let new shipments sit around in, and fewer staff to unpack them. Fewer staff, too, means fewer people to help customers and provide recommendations, assuming the staff have even read the books. And independent bookstores, despite the fact that it is becoming harder and harder to stay in business, remain committed to the community .The Storyteller offers a summer reading program that-every year-loses us money. But we aren't doing it for the money. We keep the cost low and the benefits to customers high because we are here, we are in business, for the community. We are not some enormous conglomerate who cares more about the bottom line than about you. We are your bookstores.

We who live in the Bay Area have such a rich quality of life, and we have a history of appreciating that richness fervently, and of being willing to fight for it. Let this, then, be your call to arms. Independent bookstores around the country-and in your neighborhood- are going under. The loss of the sale of a book or two doesn't hurt the corporate booksellers. But it does hurt your independent bookstore. The chains may offer discounts, but every one of those savings comes at a price-one you may not want to pay.

Among independent booksellers, in recent years, the phrase most commonly heard is "flat is the new up." What that means is that as book prices rise, as our rent rises, as we must pay our staff more, sales have not risen. And that's if you're one of the lucky bookstores. Many independents are watching their profits dwindle away. The Storyteller is one of those bookstores for whom sales have thankfully remained flat. But we cannot continue like this. We are not on the brink of closing, but when I ask you to imagine a world without independent bookstores, I'm not talking about someday, and I'm not talking about ten years from now. I'm talking soon.

Most of our customers buy more than one book a month, from various sources. If they would buy just one more book a month at an independent bookstore instead of at chains and online sources, it would make a difference. If they were willing to spend all of their book money at independent bookstores, it would make a big difference.

In politics and religion we must raise our voices to be heard, but in commerce we must speak with our pocketbooks. And with the multitude of powerful voices that I know are alive in this community, I have no doubt that this tide can be turned. So raise your pocketbooks. Your independent bookstores are listening.

Index by Author

, : Chicken Soup for the Teenage Soul II
, : Favorite Songs for Jim Henson's Muppets
Abrahamson, Eric: Perfect Mess, A
Adams, Douglas: Mostly Harmless
Aidells, Bruce: Bruce Aidells's Complete Book of Pork
Alborough, Jez: Hug
Allison, Jennifer: Gilda Joyce, Psychic Investigator
Aronzo, Aranzi: Cute Book, The
Bach, Richard: Illusions
Balliett, Blue: Chasing Vermeer
Baricco, Alessandro: Silk
Barnes, Julian: Arthur & George
Barnes, Julian: Love, etc.
Bartholomew, Mel: Square Foot Gardening
Bauer, Susan Wise: Well-Educated Mind, The
Berenstain, Stan and Jan: Berenstain Bears' Moving Day, The
Bittman, Mark: How to Cook Everything
Bode, N.E.: Anybodies, The
Bolles, Richard Nelson: What Color Is Your Parachute?
Borgenicht, David: Sesame Street Unpaved
Bowman, Hal: Computer Waiting Games
Brashares, Ann: Sisterhood of the Traveling Pants
Brecht, Bertolt: Stories of Mr. Keuner
Brookes, Mona: Drawing for Older Children and Teens
Brown, Alton: I'm Just Here for More Food
Bryson, Bill: Life and Times of the Thunderbolt Kid, The
Buff, Sheila: Birdfeeder's Handbook, The
Burroughs, Augusten: Possible Side Effects
Byatt, A. S.: Possession, a Romance
Capote, Truman: Breakfast at Tiffany's
Cava, Roberta: Dealing With Difficult People
Chabon, Michael: Summerland
Choldenko, Gennifer: Al Capone Does My Shirts
Chynoweth, Katherine: Bridesmaid Guide, The
Clarke, John: Tournament, The
Clavell, James: Shogun
Clements, Andrew: Report Card, The
Codrescu, Andrei: Devil Never Sleeps, The
Cooks Illustrated, the editors of: 834 Kitchen Quick Tips
Cooks Illustrated, the editors of: Baking Illustrated
Cooks Illustrated, the editors of: Cover and Bake
Cooks Illustrated, the editors of: New Best Recipe, The
Coupland, Douglas: Generation X
Crusie, Jennifer: Faking It
Culinary Institute of America, : Breakfasts & Brunches
cummings, e. e.: e. e. cummings Complete Poems 1904-1962
Cunningham, Michael: Hours, The
de Botton, Alain: Romantic Movement, The
Defoe, Daniel: Robinson Crusoe
Delisle, Guy: Shenzhen
Demi, : Empty Pot, The
Desmond, Sean: Adam's Fall
Deveraux, Jude: Sweet Liar
DiCamillo, Kate: Tale of Despereaux, The
DK Publishing, : Pick Me Up
Docx, Edward: Calligrapher, The
Dornenburg, Andrew: Culinary Artistry
Dostoevsky, Fyodor: Crime and Punishment
Dunn, Katherine: Geek Love
Enger, Leif: Peace Like a River
Erickson, Russell E.: Toad for Tuesday, A
Ferris, Joshua: Then We Came to the End
Finch, Christopher: Jim Henson: The Works
Flaubert, Gustave: Dictionary of Received Ideas, The
Foer, Jonathan Safran: Everything Is Illuminated
Foster, Thomas C.: How to Read Literature Like a Professor
Frazier, Charles: Cold Mountain
French, Jackie: Diary of a Wombat
Friberg, Bo: Professional Pastry Chef, The
Frommers, : Frommer's Chicago 2004
Frost, Robert: Stopping By Woods On a Snowy Evening
Frye, Michael: Photographer's Guide to Yosemite, The
Funke, Cornelia: Inkheart
Gallant, Mavis: Selected Stories of Mavis Gallant, The
Garcia Marquez, Gabriel: Love in the Time of Cholera
Gerstein, Mordicai: What Charlie Heard
Goethe, Johann Wolfgane von: Sorrows of Young Werther, The
Gold, Glen David: Carter Beats the Devil
Gopnik, Adam: Paris to the Moon
Gordin, Michael: Five Days in August
Gordin, Michael D.: Well-Ordered Thing, A
Gorey, Edward: Object Lesson, The
Greenhalgh, Paul: Art Nouveau, 1890-1914
Greer, Andrew Sean: Confessions of Max Tivoli, The
Gregory, Leland: Bush-Whacked: Chronicles of Government Stupidity
Hale, Shannon: Princess Academy
Handler, Daniel: Adverbs
Haugaard, Kay: Day the Dragon Danced, The
Henrey de Tessan, Christina: Homeowner's Record Keeper
Holt, Kimberly Willis: Waiting for Gregory
Hornby, Nick: Long Way Down, A
Howe, Deborah and James: Bunnicula
Hunter, Erin: Warriors: Into the Wild
Insight Guides, : Insight City Guide Beijing
Irving, John: Cider House Rules, The
Irving, John: Fourth Hand, The
Ishiguro, Kasuo: Never Let Me Go
Jen, Gish: Love Wife, The
Jeram, Anita: Guess How Much I Love You
Johnson, Kay Ann: Wanting a Daughter, Needing a Son
Juster, Norton: Phantom Tollbooth, The
Kaminsky, Jessica: I Hate the Gym
Kataoka, Hazuki: Momotaro: The Peach Boy
Kendall, Carol: Sweet and Sour: Tales From China
Kerouac, Jack: Dharma Bums, The
Kerper, Barrie: Collected Traveler: Central Italy Tuscany & Umbria, The
Kidd, Chip: Cheese Monkeys, The
Kidd, Chip: Chip Kidd: Book One-- Work: 1986-2006
Klasky, Mindy: Girl's Guide to Witchcraft
Klutz, : Window Art
Konigsburg, E.L.: From the Mixed-Up Files of Mrs. Basil E. Frankweiler
Kroll, Virginia: Selvakumar Knew Better
Krulik, Nancy: Can You Get an F In Lunch?
LaHaye, Tim F.: Left Behind
Lansens, Lori: Girls, The
Lark, Liz: Power Yoga for Beginers
Le Draoulec, Pascale: American Pie
Leas, Cheryl Farr: Maui for Dummies
Lebovitz, David: Ripe for Dessert
Lebowitz, David: Room for Dessert
Leno, Jay: If Roast Beef Could Fly
Levitin, Daniel J.: This Is Your Brain on Music
Lonely Planet, : Best of Hong Kong, The
Lonely Planet, : Kyoto
Lonely Planet, : Tokyo Condensed
Longbotham, Lori: Luscious Lemon Desserts
Luchetti, Emily: Passion for Ice Cream, A
LUXE, : LUXE City Guide Beijing
MacLachlan, Patricia: Facts and Fictions of Minna Pratt, The
Maguire, Gregory: Confessions of an Ulgy Stepsister
Martel, Yann: Life of Pi
Mass, Wendy: Jeremy Fink and the Meaning of Life
Matthews, Carole: With or Without You
McCunn, Ruthanne Lum: Sole Survivor
McManus, James: Positively Fifth Street
McSweeney's, : McSweeney's Issue #19
Merck, : Merck Manual of Medical Information, The
Merwin, John: Fly Fishing: A Trailside Guide
Meyer, Stephenie: Twilight
Mitchell, Margaret: Gone With the Wind
Moleskine, : Moleskine City Notebooks
Moleskine, : Paris City Notebook
Moore, Christopher: Lamb
Moore, Chistopher: Stupidest Angel, The
Moore, Mary Anne: Unofficial Guide to Bed & Breakfasts in California,The
Murakami, Haruki: Kafka on the Shore
Murdock, Catherine: Dairy Queen
Muth, John J.: Zen Shorts
Nabokov, Vladimir: Lolita, The Annotated
Nabokov, Vladimir: Pale Fire
New Yorker, : Complete New Yorker, The
Niffenegger, Audrey: Time Traveler's Wife, The
Ondaatje, Michael: English Patient, The
Paolini, Christopher: Eragon
Parkhurst, Carolyn: Dogs of Babel, The
Parkhurst, Carolyn: Lost and Found
Patchett, Ann: Bel Canto
Patchett, Ann: Magician's Assistant, The
Patron, Susan: Higher Power of Lucky, The
Pennypacker, Sara: Clementine
Pollan, Michael: Omnivore's Dilemma, The
Popular Woodworking, the editors of: Authentic Arts & Crafts Furniture Projects
Prelutsky, Jack: It's Valentine's Day
Proust, Marcel: In Search of Lost Time
Quisling, Erik: Angry Clam, The
Quisling, Erik: Tiny Giants
Raichlen, Steven: BBQ USA
Reynolds, Betty: Squeamish About Sushi
Richins, Paul: Mount Whitney: The Complete Trailhead-to-Summit Hiking Guide
Roach, Mary: Spook
Robbins, Tom: Even Cowgirls Get the Blues
Robbins, Tom: Villa Incognito
Rodgers, Rick: Thanksgiving 101
Rosenthal, Amy Krouse: Encyclopedia of an Ordinary Life
Rosenthal, Amy Krouse: One of Those Days
Rowling, J.K.: Harry Potter and the Chamber of Secrets (Audio)
Rowling, J.K.: Harry Potter and the Sorcerer's Stone
Rowling, J.K.: Harry Potter and the Sorcerer's Stone (Audio)
Ryder, Joanne: My Father's Hands
Safran Foer, Jonathan: Extremely Loud and Incredibly Close
Sakai, Komako: Emily's Balloon
Salzman, Mark: Soloist, The
Salzman, Mark: True Notebooks
Schat, Zachary Y.: Baker's Trade, The
Schwartz, Barry: Paradox of Choice, The: Why More is Less
Sebold, Alice: Lovely Bones, The
Sedaris, David: Barrel Fever
Sedaris, David: Children Playing Before a Statue of Hercules
Sedaris, David: Me Talk Pretty Some Day
Sedaris, David: Naked
Segal, Nancy L.: Indivisible by Two
Seibert Pappas, Lou: Christmas Candy Book, The
Selznick, Brian: Invention of Hugo Cabret, The
Shulman, Lisa: Moon Might Be Milk, The
Sijie, Dai: Mr. Muo's Travelling Couch
Silvester, Hans: Cats In Love
Skelton, Matthew: Endymion Spring
Snicket, Lemony: Bad Beginning, A
Snook, Randy: Many Ideas Open the Way
Soares, John and Marc: 100 Classic Hikes in Northern California
Sobol, Donald J.: Encyclopedia Brown and the Case of the Sleeping Dog
Spencer, LaVyrle: Hummingbird
Spivak, Dawnine: Grass Sandals
Staples, Suzanne Fisher: Shabanu
Steingarten, Jeffrey: It Must've Been Something I Ate
Steingarten, Jeffrey: Man Who Ate Everything, The
Steves, Rick: Rick Steves' Italy
Stewart, Trenton Lee: Mysterious Benedict Society, The
Stoller, Debbie: Stitch 'n' Bitch Crochet: The Happy Hooker
Taylor, Theodore: Cay, The
Toussaint, Jean-Philippe: Television
Uegaki, Chieri: Suki's Kimono
Underhill, Paco: Why We Buy: The Science of Shopping
van Ommen, Sylvia: Jellybeans
Van Orden, Jason: Promoting Your Podcast
Vogue Knitting, : Crocheted Scarves
Walker, Nick: Blackbox
Wansink, Brian: Mindless Eating
Watt, Melanie: Scaredy Squirrel
Watterson, Bill: Complete Calvin and Hobbes, The
Wigersma, Tanneke: Baby Brother
Willems, Mo: My Friend Is Sad
Xun, Liu: New Practical Chinese Reader
Yang, Gene: American Born Chinese
Yee, Lisa: Millicent Min, Girl Genius
Yee, Lisa: So Totally Emily Ebers
Yee, Lisa: Stanford Wong Flunks Big-Time
Yolen, Jane: Here There Be Dragons
Yoon, Salina: Pirate's Life, A
Young, Ed: Beyond the Great Mountains
Young, Ed: Cats Are Cats
Zafón, Carlos Ruiz: Shadow of the Wind, The
Zusak, Markus: Book Thief, The